For example, where in other hosts we rely on presets to deliver new looks, in FCP X we can simply export new Motion 5 templates, exposing just enough parameters to make the new look customizable. Yamnitsky adds this, “Because FCP X is a very different host, all traditional assumptions about visual effects will be reconsidered. As with most things related to FCP X, performance on the newest iMacs and MacBook Pros will be better than older Mac Pros. In general, user interaction is faster in After Effects, but rendering is often faster in Final Cut Pro X. If I compare similar Boris FX filters within different hosts, but applied to the same footage and using the same workstation, then BCC 8 in Premiere Pro CS6 outperforms Final Cut Pro X for real-time playback (when left unrendered). This is true for BCC 8, but also true for packages from Magic Bullet, Digital Film Tools, Tiffen and GenArts. They do not play smoothly without dropping frames, until they are rendered. Certain Boris FX hallmarks, like high-quality extruded, shaded 3D text, are also part of this package.Īll complex effects installed in the Final Cut Pro X host are somewhat slow to react as you adjust them. The latter will pulse or vary an effect based on the amplitude of a linked audio track. Many include built-in masking (the Boris Pixel Chooser), motion tracking (a first for FCP X filters) and/or beat reactor. There’s a wealth of slider controls on all of the filters to fine tune each effect. The over 100 effects and transitions inside Final Cut Pro X work in a familiar fashion to other versions of Boris Continuum Complete. For instance, the 3-way grade filter uses color wheels in After Effects, but sliders and a floating “heads up display” panel in Motion. Some of those in Motion have been modified to fit within the parameters of the Motion user interface. Some filters don’t show up in Final Cut, such as 3D lens flares, the 3-way grade filter and artist’s posterization, but you still have a variety of flare and art effects, including water color. The Continuum filters are all high quality effects, but with modifications to make them work within FCP X. The same is true of this newest member of the BCC 8 product line. Last year, I highlighted the new BCC 8 package for After Effects, which introduced new effects, like film glow and particles, as well as general improvements across the board. For example, we are working on Materials and Transitions now.”Īround 200 filters install into Motion 5, but of these, a smaller subset of 94 effects filters and 11 transitions (in the current build) show up inside of Final Cut Pro X. We will be posting them for free as we go. We plan to release more templates as we get more feedback from our early adopters. This frees our hand to remove older filters, re-work some of the existing filters and make new filters best suited for the FCP X host. According to Boris FX founder Boris Yamnitsky, “Since FCP X is a new platform unrelated to FCP 7, there is no need to maintain compatibility with BCC 7. This has made it a particular challenge to create an FCP X version of BCC 8 with the same controls, plus look and feel of the Continuum set. Third-party filters, transitions, titles and generators for Final Cut Pro X are built as Motion templates. FCP X users will install the new 64-bit version designed for the updated FxPlug architecture – bringing to FCP X one of the most comprehensive plug-in sets available. Customers purchasing BCC 8 will receive installers for both new and old versions of Final Cut and Motion. Boris Continuum Complete 8 from Boris FX has finally made it to Apple Final Cut Pro X and Motion 5.
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